Levin,Annette Michelson,W. Norton Wise,Kristin E. Heck traces the idea of icono-graphia from its distant Greek roots down to today's trendy world of icons and iconographies; he also provides a concise introduction to musical iconography. Robert Erenstein discusses the rise of theatre iconography with some choice Dutch examples. Frank Peeters and A.
Deemed by Heinrich Heine a city of merchants where poets go to die, Hamburg was an improbable setting for a major intellectual movement. Yet it was there, at the end of World War I, at a new university in this commercial center, that a trio of twentieth-century pioneers in the humanities emerged. Working side by side, Aby Warburg, Ernst Cassirer, and Erwin Panofsky developed new avenues in art history, cultural history, and philosophy, changing the course of cultural and intellectual history in Weimar Germany and throughout the world.
In Dreamland of Humanists, Emily J. Levine considers not just these men, but the historical significance of the time and place where their ideas took form.
By examining the role that context plays in our analysis of ideas, Levine confirms that great ideas—like great intellectuals—must come from somewhere.
Over two decades this art historical tour de force has consistently proved the classic introduction to humanity's artistic heritage. From our paleolithic past to our digitised present, every continent and culture is covered in an articulate and well-balanced discussion. In this Seventh Edition, the text has been revised to embrace developments in archaeology and art historical research, while the renowned contemporary art historian Michael Archer has greatly expanded the discussion of the past twenty years, providing a new perspective on the latest developments.
The insight, elegance and fluency that the authors bring to their text are complemented by superb illustrations, half of which are now in colour. These images, together with the numerous maps and architectural plans, have been chosen to represent the most significant chronological, regional and individual styles of artistic expression.
Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works of Shakespeare on a number of artists, painters, and sculptors in the course of the centuries. This methodolical approach opens up a new perspective in the intermedial construction of Shakespearean and early modern drama, extending the concept of theatrical intertextuality to the field of pictorial arts and their social-cultural resonance.
An afterword written by an expert in the field, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume. Author : Carolyn Abbate,James A. Author : Tom Heck,Thomas F. Heck,Lyckle de Vries,R.
William Smith,Frank Peeters,M. Author : Emily J. Publisher: Univ. Art History , 2 , ; and M. This task is considerably aided by the Holly's Panofsky and the Foundations of Art History25 serves several ends.
Author : Jack M. Author : Robert S. Panofsky and the Foundations of Art History.
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